Madame Vigée-Lebrun, Regency England and Georgiana, Duchess of Devonshire

Louise-Elisabeth-Vigee-Lebrun-self-portrait

Louise-Elisabeth Vigee-Lebrun: self-portrait

Frequent visitors to Versailles and more have become familiar with Louise-Elisabeth Vigée-Lebrun, one of the most successful painters of her time and Marie-Antoinette’s favorite portraitist. Madame Lebrun left France as early as October 1789, after the royal family relocated, much against their wishes, to the Tuileries. She traveled extensively in search of new patrons, in Italy, Germany and Russia, where she found what she calls herself une seconde patrie, a second homeland.

However, her wanderings did not take her to England until 1802. Though well-traveled, Madame Lebrun was surprised by English customs, so different from those on the Continent:

Vast and handsome though London may be, the city affords less food for the artist’s interest than Paris or the Italian towns. Not that you do not find a great number of rare works of art in England. But most of them are owned by wealthy private persons, whose country houses and provincial seats they adorn. At the period I mention, London had no picture gallery, that now existing being the result of legacies and gifts to the nation made within a few years.

Deprived of pictures, Madame Lebrun sees the sights, much as a modern tourist might do: Westminster Abbey, where she particularly admires the tomb of Mary Stuart, St. Paul’s Cathedral, the Tower of London… She marvels at the cleanliness of the streets of London:

The streets of London are wide and clean. Broad side pavements make them very convenient for foot-passengers, and one is the more surprised to witness scenes upon them that ought to be proscribed by civilization. It is not rare to see boxers fighting and wounding each other to the point of drawing blood. Far from such a spectacle seeming to shock the people looking on, they give them glasses of gin to stimulate their zeal.

Let’s keep in mind that, at the time, many streets in Paris are narrow and, outside the more fashionable districts, unpaved. There are no sidewalks, and Paris pedestrians are at the mercy of carts and carriages.

Nevertheless Madame Lebrun finds London’s amusements rather dull:

Sunday in London is as dismal as the climate. Not a shop is open; there are no plays, nor balls, nor concerts. Universal silence reigns, and as on that day no one is allowed to work nor even to play music without incurring the risk of having his windows broken by the populace, there is no resource for killing time but the public walks. These, indeed, are very well frequented.

 

Gainsborough-St-James-Park

The chief amusement of the town is the assembling of good company, called a “rout.” Two or three hundred individuals walk up and down the rooms, the women arm-in-arm, for the men usually keep aside. In this crowd one is pushed and jostled without end, so that it becomes very fatiguing. But there is nothing to sit on. At one of these routs I attended, an Englishman I knew in Italy caught sight of me. He came up to me and said, in the midst of the profound silence that reigns at all these parties,

“Don’t you think these gatherings are enjoyable?”

“You enjoy yourselves with what would bore us,” I replied. I really did not see what pleasure was to be got out of stifling in such a crowd that you could not even reach your hostess.

Nor are the walks in London any livelier. The women walk together on one side, all dressed in white; they are so taciturn, and so perfectly placid, that they might be taken for perambulating ghosts. The men hold aloof from them, and behave just as solemnly. I have sometimes come upon a couple, and have amused myself, if I happened to follow them awhile, by watching whether they would speak to each other. I never saw any who did.

So much for merry old England! Madame Lebrun enjoyed the musical scene, though. Concerts, she writes -obviously about private musical parties, not public performances- were very much the fashion in London, and I preferred them to the routs, though these afforded an opportunity to the well-received foreigner – and fortunately I was one – of meeting all the best English society. Invitations are not by letter, as in France. Only a card is sent, with the inscription, “At home such and such a day.”

Georgiana-Duchess-of-Devonshire-Gainsborough

Georgiana Duchess of Devonshire, by Gainsborough

This is how Madame Lebrun meets Georgiana, Duchess of Devonshire, the undisputed leader of the ton, the fashionable world:

The most fashionable woman in London at this time was the Duchess of Devonshire. I had often heard of her beauty and her influence in politics, and when I called upon her she greeted me in the most affable style. She might then have been about forty-five years old. Her features were very regular, but I was not struck by her beauty. Her complexion was too high, and ill-fortune had ordained that one of her eyes should be blind. As at this period the hair was worn over the forehead, she concealed the eye under a bunch of curls, but that was insufficient to hide such a serious defect. The Duchess of Devonshire was of fair size, her degree of stoutness being exactly appropriate to her age, and her unconstrained manner became her exceedingly well.

Sadly, Georgiana would die four years later. A pity Madame Lebrun did not meet her in the heyday of her youth, health and beauty. But she is received by the best of society:

I also went to Lord Moira’s country seat. Although I have forgotten the name of his house, I remember how comfortable everything was and what wonderful cleanliness prevailed all over. Lord Moira’s sister, Lady Charlotte, kind and courteous, did the honours with infinite tact. It was, therefore, unfortunate that the place was so boring. At dinner the women left the table before dessert; the men remained to drink and talk politics. I can truthfully state, however, that at no gathering I attended did the men get drunk. This convinces me that, if the custom once existed in England, it has now ceased as far as good society is concerned.

Madame Lebrun refers here to the English custom that demanded that ladies retire to a drawing-room before dessert, leaving the dining-room to gentlemen. Horrified French travelers had reported witnessing unseemly behavior, such as drunkenness or the passing around of a chamber pot, by said gentlemen as soon as the ladies had left the room. It is a relief to hear that those excesses were not longer tolerated at the turn of the 19th century, though it seems a bit harsh to have deprived women of dessert on the basis of gender.

The name of Lord Moira, by the way, is, or should be, familiar to Janeites. He played a prominent part in the bankruptcy of Henry Austen, Jane’s banker brother. And does the following not remind you of a similarly dull evening at Netherfield Park, in Pride and Prejudice?

After dinner we met together in a large hall, where the women sat apart, occupied with embroidery or tapestry-work, and not uttering a sound. The men, on their side, took books to hand, and observed like silence.

One evening I asked Lord Moira’s sister, since the moon was shining brightly, whether we might not go for a walk in the park. She replied that the shutters were closed and that caution demanded they should not be reopened, because the picture-gallery was on the ground floor. As the library contained collections of prints, my only resource was to seize upon these collections and go through them, abstaining, in obedience to the general example, from a single word of speech. In the midst of such a taciturn company, fancying myself alone one day, I happened to make an exclamation on coming to a beautiful print, which astonished all the rest to the last degree.

It is, nevertheless, a fact that the total absence of conversation does not preclude the possibility of pleasant chat in England. I know a number of English who are extremely bright; I may even add that I never encountered one who was stupid.

See? Louise-Elisabeth gives credit where credit is due, and in particular she pays homage to the stoicism of the English people with regard to their weather:

I often met them in the pouring rain, riding without umbrellas in open carriages. They are content with wrapping their cloaks about them, but this has its drawbacks for strangers unaccustomed to such a watery state of things.

Yet Madame Lebrun must have enjoyed England more than the foregoing would lead us to believe, for she considerably outstayed her planned visit there:

Though I had come to England with the intention of remaining but five or six months, I had now stayed nearly three years, held, not solely by my interests as a painter, but also by the kind treatment bestowed upon me. I have often heard it said that the English are lacking in hospitality, but I am far from sharing that opinion, and harbour grateful memories of the cordiality I met with in London.

Canaletto-london-city-from-Richmond-house

Print Friendly, PDF & Email

16 Comments to “Madame Vigée-Lebrun, Regency England and Georgiana, Duchess of Devonshire”

  1. Jessica says:

    Beautiful!
    I was wondering if by any chance you had time someone could tell me about what it was like to be a duchess in those times… responsibilities and daily life etc. It would help me in my studies at school.
    I find everything about Georgiana, Marie Antoinette and the 18th century facinating and I cried when I read of Marie Antoinette’s life and execution. Theres something special there.
    Please get back to me.
    Would be appreciated. Alot.

  2. Ree says:

    Would love to see a film on the lovely Ms. Vigee-Lebrun…Could be quite charming…

  3. implantolog says:

    Wonderful to read!

  4. Michele says:

    I think this lady painter would make an interesting subject for a novel (hint) :)

  5. Thanks, Sylwia! There’s a reference to “Sunday travel” in Persuasion (re: the dissipated lifestyle of Mrs. Smith and her late husband). I too wonder whether the odd custom of having the ladies leave the dinner table to the gentlemen existed anywhere else. Rather barbaric IMO. :) You also find that all over Austen.

  6. Sylwia says:

    Wonderful post, Catherine! The Sunday boredom… there was actually a law in England prohibiting any kind of amusement as well as travel on Sundays. I think it’s what people overlook nowadays while reading Austen.

    Various travellers from Poland were as shocked as Madame Lebrun about the separating of women and men after dinner. That was a very peculiar custom, perhaps observed only in England.

  7. Catherine Delors says:

    Indeed they are, Susan! And her observations are just as sharp when it comes to Russia or France. These are full Memoirs, intended for publication, and published repeatedly, written at the end of Madame Lebrun’s long life (she died in her late 80s in 1845!) Most editions, sadly, are bowdlerized. Just for a taste of the real thing, see this text on the UPenn site:
    http://digital.library.upenn.edu/women/lebrun/memoirs/memoirs.html
    There is one scholarly edition in French: http://www.amazon.fr/Souvenirs-volumes-Louise-Elisabeth-Vigée/dp/2721002554/ref=pd_cp_b_0

  8. Fascinating, Catherine. Is these excerpts from a diary, a travel journal, or letters? Are they published? Few artists write so well for posterity; more usually they communicate visually, not verbally, so Mme. Vigee-Lebrun’s observations are a rare treat.

  9. Catherine Delors says:

    Thanks so much, Ellen! I would have loved to post similarly evocative paintings of Regency London, but had to be content with Gainsborough and Canaletto. Not so bad…
    An excellent source on the dealings between Henry and Lord Moira can be found here, along with Henry’s letters to Moira’s son, the second Marquess of Hastings (isn’t funny to find the same name again?)

    http://webcache.googleusercontent.com/search?q=cache:3yOVHoykYP8J:www.charity-commission.gov.uk/registeredcharities/ScannedAccounts/Ends13%255C0001040613_AC_20051231_E_C.PDF+%22hilaire+barlow%22&cd=7&hl=en&ct=clnk&gl=uk

  10. ellen moody says:

    Question: what part did Lord Moira play in the bankruptcy of Austen’s brother, Henry? If you can’t answer in a nutshell (which I don’t expect you to), could you give me a good source to read.

    I enjoyed reading this. I liked how you brought Vigee-Lebun into contact with people we your readers could connect to, and how you recreated a sense of the place. You could do travel writing, Catherine.

    Ellen

  11. Catherine Delors says:

    Beautiful self-portrait indeed, Karin! Louise-Elisabeth did love Julie, and their estrangement, followed by her untimely death, broke her heart. The self-portrait I chose here is from 1800, far closer to the period about which she is writing.

  12. Ahhh. I tried to embed the photo here and it was not allowed. Here is a link to the photo I took of the portrait: http://farm3.static.flickr.com/2672/3982685549_f5ddb56dd7.jpg

  13. What a wonderful cross-cultural study! It is interesting to learn about this era of British society from an intelligent, feminine, and French point-of-view.

    This post reminds me of a photo I took in the Louvre of a self-portrait of Vigée-Lebrun and her daughter:

    It is such a tender portrait.

    I just discovered on a quick search that the entire memoirs are available online at this link: http://digital.library.upenn.edu/women/lebrun/memoirs/memoirs.html. What interesting reading! Thank you for introducing me to the fact that Vigée-Lebrun wrote a memoir. I’m so glad to know about it!

  14. Catherine Delors says:

    Thanks, Vic! I love Louise-Elisabeth too, and her Memoirs are a wonderful testament to her times.
    Penny, Louis XVI did launch an extensive program of public works in Paris, particularly the demolition of the houses built on bridges. Let’s don’t forget the budget crisis either, and the inability to raise taxes. There was no easy quick and easy fix to the Ancien Regime….

  15. Penny says:

    Yet something else I did not know. Maybe if Louis XVI had public works such as paving
    the Paris streets etc, he could have at least abated some starvation from the bad harvest.
    It sounds like Paris needed paving among other things.

  16. Vic says:

    Such a talented painter. I can’t recall a single painting of hers that I do not like. Thank you for this interesting post. Vic

Leave a Reply