With Le Berceau (The Cradle), by Berthe Morisot, one of the great ladies of Impressionism. (more…)
Claude Monet’s white turkeys in The Château de Rottembourg à Montgeron. You can admire the painting at the Musée d’Orsay.
Enjoy this gorgeous work, and see you on Monday!
Frequent visitors to Versailles and more have become familiar with Louise-Elisabeth Vigée-Lebrun, one of the most successful painters of her time and Marie-Antoinette’s favorite portraitist. Madame Lebrun left France as early as October 1789, after the royal family relocated, much against their wishes, to the Tuileries. She traveled extensively in search of new patrons, in Italy, Germany and Russia, where she found what she calls herself une seconde patrie, a second homeland (more…)
Another Versailles update: the Salon of the Grand Couvert has been restored to its past splendor, as part of the ongoing refurbishment of the entire palace.
The Salon of the Grand Couvert is part of the Queen’s Grand Apartment. Couvert means place setting in French, and this is the room where the royal couple had dinner. The King and Queen sat on armchairs, facing the audience. Duchesses had the privilege of sitting on a row of stools arranged in a semi-circle a few feet in front of the table. Further away stoo the rest of the courtiers and the public, for anyone decently dressed was admitted to the palace.
The Marquise de La Tour du Pin, who was a lady-in-waiting to Marie-Antoinette during the very last years of the Ancien Régime, attended these occasions (more…)
Without Louise-Elisabeth Vigée-Lebrun’s many portraits of Marie-Antoinette, our mental image of the Queen would be different, so iconic have these paintings become. All the more reason to look into the relationship between the two ladies. And what better way to do so than return to Madame Lebrun’s Memoirs?
It was in the year 1779, she writes, that I painted the Queen for the first time; she was then in the heyday of her youth and beauty [she was twenty four]. Marie-Antoinette was tall and admirably built, being somewhat stout, but not excessively so. Her arms were superb, her hands small and perfectly formed, and her feet charming. She had the best gait of any woman in France, carrying her head erect with a dignity that marked her as the Queen in the midst of her whole Court, her majestic mien (more…)
If you watched Sofia Coppola’s Marie Antoinette, you know that the Queen liked to be surrounded by pyramids of gorgeous pastries and followed a strict macaroon-and-champagne diet. Or did she?
Well, according to contemporary accounts, not at all. The etiquette required the King and Queen to take some of their meals in public, in front of the courtiers and visitors. Anyone decently dressed was admitted in Versailles, and many came to the Palace to watch the royal couple eat.
The Marquise de La Tour du Pin, who was a lady-in-waiting to Marie-Antoinette, attended those occasions. She notes in her Memoirs that “the King ate with a hearty appetite, but the Queen did not remove her gloves, nor did she unfold her napkin, in which she was very ill-advised.”
Marie-Antoinette literally did not touch her food (more…)
I saw the Court Pomp and Royal Ceremony exhibition at Versailles on its closing day last June and would have hated to miss it. My expectations were very high, and yet I could not help being somewhat disappointed, not by the quality of the objects on display, which were magnificent, but by their scarcity. I should have known better, of course: how many 18th century court costumes could have survived till the 21st century?
Interestingly, the few that did have been preserved in the royal collections of northern Europe, for instance the coronation gown(below) of Queen Sofia Magdelena of Sweden. It was made in Paris of silver cloth, and consists, like all French court gowns, in three separate pieces: bodice, skirt and train. Indeed in the course of the 18th century all European courts had adopted the Versailles court costume. Note the width of the panniers: 3 meters (12 feet!) The depth is no more than 2 feet, which gives the gown the shape of a very elongated ova (more…)